L'article analyse le motif de la vengeance dans la chanson troubadouresque galicienne-portugaise, en précisant sa fonction et ses caractéristiques et en le mettant en relation avec la pensée théologique (la vengeance divine) et le contexte socioculturel. Une large part est dédiée au genre de la cantiga de amigo (fondements et rhétorique de la vengeance féminine, serment vindicatoire, fonction des refrains et des ‘fiindas’).

The article analyses the motif of revenge in the Galician-Portuguese troubadour song, specifying its function and characteristics and relating it to theological thought (divine vengeance) and the socio-cultural context. A large part is dedicated to the genre of the cantiga de amigo (peculiarities and rhetoric of female vengeance, vindicatory oath, function of refrains and ‘fiindas’).

Partendo dal quadro storico-culturale della presenza catalana a Napoli tra XIV e XV secolo, si studia l’influenza del catalano sulla scripta napoletana in tre tipologie testuali del sec. XV (le scritture napoletane di parlanti catalani, le traduzioni dal catalano e le scritture ufficiali); si individuano e discutono i catalanismi lessicali nei testi napoletani quattrocenteschi.

Starting from the cultural-historical framework of the Catalan presence in Naples between the 14th and 15th centuries, the influence of Catalan on Neapolitan scripta in three textual typologies of the 15th century is studied: Neapolitan texts of Catalan speakers, translations of Catalan works and official texts; lexical Catalanisms in 15th-century Neapolitan texts are identified and analysed.